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Post by tubelightonline on May 12, 2013 20:15:22 GMT
One to look out for later this week - BBC Two is showing a documentary on the history of the Underground on Thursday at 9 o'clock in the evening. Judging by the clips featured on the website (http://www.bbc.co.uk/programmes/b01sjtzw), it is possibly an add-on to the series from last year. It looks worth a watch anyhow!
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Post by norbitonflyer on May 12, 2013 20:52:01 GMT
Well, I hope it will be more accurate than the Channel 5 programme last Monday (presumably still available on catch up) according to which all underground trains were steam hauled until Sprague invented the electric multiple unit system for the New York Subway (whose first line opened in 1904)
(Sprague's first mu trains actually ran on the Chicago "El" in about 1897 - non-mu electric trains and trams had been around for about ten years by then)
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Post by domh245 on May 12, 2013 21:16:14 GMT
EXCELLENT! Dylan is back!
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Post by siriami on May 13, 2013 16:01:41 GMT
Unfortunately, it seems that us lesser mortals living in Scotland don't get the chance to see this programme - don't you just love regional television! Alistair
And, yes, I know about iPlayer, but as a licence-fee payer, would prefer to watch on TV!
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Post by pauluni on May 13, 2013 21:25:53 GMT
I believe that it is on Friday at 9PM in Scotland
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jazza
Guess my Favourite Number?
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Post by jazza on May 13, 2013 21:30:13 GMT
Unfortunately, it seems that us lesser mortals living in Scotland don't get the chance to see this programme - don't you just love regional television! Alistair And, yes, I know about iPlayer, but as a licence-fee payer, would prefer to watch on TV! And you can watch it on Thursday up here in Scotland if you have access to a Sky box, as BBC2 England is available on channel 969 or BBC2 HD on channel 142 if you have access to HD
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Post by siriami on May 14, 2013 8:04:41 GMT
I believe that it is on Friday at 9PM in Scotland Missed seeing that in the TV guide - sorry! Alistair
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Deleted
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Post by Deleted on May 16, 2013 13:44:51 GMT
Looking forward to watching this tonight.
Now after this I want them to hurry up with series 2
Duplicate post removed by Londonstuff
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Post by bassmike on May 16, 2013 21:44:42 GMT
Just watched it-----it's pants . Totally disjointed, inaccurate, trivial,with glaring errors one in particular about the "Brunels using the Greathead shield." and obtrusive background music which is almost foreground music. If You are going to make a program why dont you do it properly. Complete waste of time and space and completely amateurish.
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Post by bicbasher on May 16, 2013 22:20:13 GMT
The footage aired from a passenger going up an escalator in the 80s reminds me of the lack of investment in the system pre-Kings Cross and how far we have come since then.
However, as a child, I could still see the charm the tube has and still miss certain elements from what has become clinical in parts today.
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pitdiver
No longer gainfully employed
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Post by pitdiver on May 16, 2013 22:55:37 GMT
I was also very disappointed as it did seem to gloss over lots of facts but there is not much else you can do in 1hr. However it was grea tto see Mike Ashworth with his conducted tour of 55 Broadway. I spent many an evening assisting him with conducted tours of Aldwych,Down Street,Brompton Road and the old Euston Stn.He hasn't changed much still has a wicked sense of humour.
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Post by nickf on May 17, 2013 7:53:09 GMT
On a technical note I cannot hold back from carping about the quality, or lack of it, of the camera work. I grant that shooting in a busy station means that you can't put the camera on a tripod or have a crew of three or four - you would get in everyone's way. However, in the interview with Pearson's descendent we were in a private house and there was no excuse for transmitting a shot where the camera was reframing and adjusting the exposure. Wobble-vision was much in evidence for the rest of that sequence. I note in the end credits there is no mention of a cameraman, and this suggests that this entire production was shot by people whose skills lie more in asking questions than in operating a camera. The same applies to the otherwise excellent sequence about Harry Beck: wobbly, ill framed shots ruined what was otherwise first class. "The punters won't notice", is what the producers thought. Well this punter did.
Otherwise I was informed and entertained by this programme.
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Post by bicbasher on May 17, 2013 10:29:59 GMT
On a technical note I cannot hold back from carping about the quality, or lack of it, of the camera work. I grant that shooting in a busy station means that you can't put the camera on a tripod or have a crew of three or four - you would get in everyone's way. However, in the interview with Pearson's descendent we were in a private house and there was no excuse for transmitting a shot where the camera was reframing and adjusting the exposure. Wobble-vision was much in evidence for the rest of that sequence. I note in the end credits there is no mention of a cameraman, and this suggests that this entire production was shot by people whose skills lie more in asking questions than in operating a camera. The same applies to the otherwise excellent sequence about Harry Beck: wobbly, ill framed shots ruined what was otherwise first class. "The punters won't notice", is what the producers thought. Well this punter did. It's become common in regional tv news that the journalist is expected to operate the camera to save money. This may be how the production company met the budget for this. The shaky camerawork did come up quite a bit on Twitter during the airing.
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Post by nickf on May 17, 2013 10:47:03 GMT
Oh yes - journos shooting their own stuff has been going on for quite a little while now. Some of them are pretty good at it too. Which is why it is all the more disappointing that the people operating the cameras in the interview sequences I mentioned earlier in this production weren't much cop at it.
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Post by bassmike on May 17, 2013 11:43:42 GMT
the word I used in my previous post was not "pants"
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Post by mikebuzz on May 17, 2013 13:58:26 GMT
I think it was engaging enough for the casual viewer but a lot was out of place and time and some just plain inaccurate. I think they were inspired by the tube docusoap! Glaring omissions: outer Metroland, the Holden stations and use of the underground for shelter during WWII.
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Deleted
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Post by Deleted on May 17, 2013 15:42:23 GMT
I agreee with the points made about the quality of this episode, now where as good as the previous series, I just hope the new series is a lot better than this episode
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Post by Jerome H on May 17, 2013 16:14:32 GMT
Shaky camerawork. How sad. These stabilizers in modern editing software and reports of shaky camerawork. For shame
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class411
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Post by class411 on May 17, 2013 17:34:03 GMT
Interestingly, given the generally bad reception here, the view from people who are not as 'Underground Savvy' seems to be a lot more appreciative. I haven't watched it yet but as an 'amateur' who is merely a big fan of the underground I hope I get something from it.
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Post by Deleted on May 17, 2013 18:48:06 GMT
"Brunels using the Greathead shield." Brunel made the shield for the Thames Tunnel, Greathead copied the idea and used it for the tubes: The BBC need to do their research... At least Dylan Glenister was back on the show. I liked him. I kinda hate that they use primitive language to describe jobs, such as 'driver' instead of 'Train Operator'. They also implied that Tubes ran on steam since they didn't really explain that electricity was used on the CSLR, in 1890, and the W&CR, in 1898, and all early tube lines. Also, the archive footage was ordered wrong: I think they used Gate stock archive footage to say something about the SSL. Still, could be worse: the Big, Bigger, Biggest documentary on Channel 5 had more inaccuracies than this one.
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class411
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Post by class411 on May 17, 2013 21:41:59 GMT
I kinda hate that they use primitive language to describe jobs, such as 'driver' instead of 'Train Operator'. I always refer to underground drivers as 'drivers' and so does everyone I know. And the people who travel ont the trains are 'passengers' rather than 'customers'. (And mainline trains have 'guards', not, 'conductors'.) I learned English at school and I'm not allowing some oik from a train company's PR department to spin things some other way for purposes of their own. Besides, 'train operator' makes it sound as if the job is trivial - like a 'lift operator'. That isn't how it came across to me. It sounded as if they were saying that electricity and the tubes came hand in hand. Anyway, I enjoyed it. The worst thing, as already mentioned, was the absurdly inappropriate and over loud music at certain points. And I was pleased to note that Harry Beck got a good mention.
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l1group
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Post by l1group on May 17, 2013 21:57:01 GMT
I kinda hate that they use primitive language to describe jobs, such as 'driver' instead of 'Train Operator'. I always refer to underground drivers as 'drivers' and so does everyone I know. And the people who travel on the trains are 'passengers' rather than 'customers'. (And mainline trains have 'guards', not, 'conductors'.) Do remember this does go out to the "general public" who don't know what the specialised vocabulary means, so they have to use so called "primitive language", @jammz, in order for the general public who have no prior interest of the tube... However, there is a lot missing from the history of the tube...
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Post by Deleted on May 17, 2013 23:42:12 GMT
They interviewed me on New Year's Eve and I'm glad none of the footage made it into the final cut. Dodged a bullet there.
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Post by Deleted on May 18, 2013 9:08:30 GMT
I watched the program and generally thought it was OK for the audience it was aimed at. The title was perhaps a bit misleading (An Underground history) as it focused quite heavily on the recent 150 celebrations.
I also thought it generally gave a good impression of the staff who worked on the railway. The Station Supervisor at Farringdon showed that not only did he have an interest in the railway but also the history of the local community.
The drivers narrative on station tiling was interesting and something I did not know. Although I was aware that they used similar techniques on the Victoria Line to make each station more recognisable. Thought the discovery of the glass bottle in the narrative did suggest the Northern Heights platforms at Highgate closed in 1971. But earlier on it referred to the High Level station closing in WW2 which was I believe actually closed to passengers in 1954. But clearly never served by tube trains (other than empty stock from the Northern City Branch).
There was only one bit I cringed at. T.O.s will know what I mean!
The wobbly camera work did not distract. I accept that some film Directors actually like this. A few years back when I did some driving stints on the The Bill, they told me that they wanted wobbly motion as it created the impression of a viewer “looking in” on the action. Apparently The Bill was shot from a Police Officers perspective and if a Police Officer was not present then it was not included. As a result the wobbly camera work duplicated the Point of View (POV) of the person watching. Perhaps that’s what the producers wanted. Art I suppose!
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Post by railtechnician on May 18, 2013 10:19:13 GMT
I kinda hate that they use primitive language to describe jobs, such as 'driver' instead of 'Train Operator'. I always refer to underground drivers as 'drivers' and so does everyone I know. And the people who travel ont the trains are 'passengers' rather than 'customers'. (And mainline trains have 'guards', not, 'conductors'.) I learned English at school and I'm not allowing some oik from a train company's PR department to spin things some other way for purposes of their own. Besides, 'train operator' makes it sound as if the job is trivial - like a 'lift operator'. That isn't how it came across to me. It sounded as if they were saying that electricity and the tubes came hand in hand. Anyway, I enjoyed it. The worst thing, as already mentioned, was the absurdly inappropriate and over loud music at certain points. And I was pleased to note that Harry Beck got a good mention. Drivers were always motormen to me and probably still should be despite the fact that the grade has embraced women since the late 1970s. I see no reason why a female cannot be a motorman, after all these days females tend to be actors rather than actresses! I agree that passengers will always be passengers just as Nestle's chocolate will always be 'nessals' and never 'nesslay'. I'm afraid that English is not very English at all, 49 years ago when I entered grammar school there were apparently only 10 'English' words in common circulation according to my English teacher, the rest of the language being derived from the languages of the many countries in Europe and the rest of the world over hundreds of years of invasion of the British Isles, the years of the British Empire and the trade that Britain did around the world from the industrial revolution when Britain really was Great and the world's manufacturer. As for the programme, there was little new in it, the highlight being the steam hauled train as it was a departure from other similar programmes. I don't know why but in the last few years BBC sound has been variable in the extreme, the penchant for drowning out speech with loud music or doorbell like chimes in almost everything produced is more than frustrating to me nowadays. From the first seconds as the Farringdon supervisor took the phone call my thoughts were typical mediocre output from a company that should do better but what can we expect from a company with four channels but not enough content to fill one properly although having said that there have been some truly wonderful repeats on BB2 and BBC4 recently. 'The electric points have failed' suggested that Farringdon had had some new points laid but they looked like the same old EP layouts to me and so I began to switch off mentally thereafter. The Beeb used to make excellent documentaries and this one was not up to scratch, what on earth was all that amateur footage about, surely the company could either find better footage or use its technical department to turn it into something viewable.
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Post by railtechnician on May 18, 2013 10:26:37 GMT
I watched the program and generally thought it was OK for the audience it was aimed at. The title was perhaps a bit misleading (An Underground history) as it focused quite heavily on the recent 150 celebrations. I also thought it generally gave a good impression of the staff who worked on the railway. The Station Supervisor at Farringdon showed that not only did he have an interest in the railway but also the history of the local community. The drivers narrative on station tiling was interesting and something I did not know. Although I was aware that they used similar techniques on the Victoria Line to make each station more recognisable. Thought the discovery of the glass bottle in the narrative did suggest the Northern Heights platforms at Highgate closed in 1971. But earlier on it referred to the High Level station closing in WW2 which was I believe actually closed to passengers in 1954. But clearly never served by tube trains (other than empty stock from the Northern City Branch). There was only one bit I cringed at. T.O.s will know what I mean! The wobbly camera work did not distract. I accept that some film Directors actually like this. A few years back when I did some driving stints on the The Bill, they told me that they wanted wobbly motion as it created the impression of a viewer “looking in” on the action. Apparently The Bill was shot from a Police Officers perspective and if a Police Officer was not present then it was not included. As a result the wobbly camera work duplicated the Point of View (POV) of the person watching. Perhaps that’s what the producers wanted. Art I suppose! The Farringdon supervisor seemed to be a knowledgeable man but I didn't like his attitude on finding he had to go and clip and scotch the points. He appeared to be put out by having to go and do it. I found the wobbly camera work annoying and unnecessary especially as my understanding is that 'wobble free' photography can be achieved by almost anyone with modern hand held cameras which have built in stabilisation.
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Post by bassmike on May 18, 2013 12:59:08 GMT
Better to be a "has-been" than a "never-was"
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class411
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Post by class411 on May 18, 2013 15:27:19 GMT
The Farringdon supervisor seemed to be a knowledgeable man but I didn't like his attitude on finding he had to go and clip and scotch the points. He appeared to be put out by having to go and do it. Perhaps he just didn't like having to work in such close proximity to the live rails. I thought his comment that it was 'only 630v' indicated that he found it pretty intimidating. Not unreasonable. Different people have different things that they find particularly threatening.
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Post by railtechnician on May 18, 2013 21:19:27 GMT
The Farringdon supervisor seemed to be a knowledgeable man but I didn't like his attitude on finding he had to go and clip and scotch the points. He appeared to be put out by having to go and do it. Perhaps he just didn't like having to work in such close proximity to the live rails. I thought his comment that it was 'only 630v' indicated that he found it pretty intimidating. Not unreasonable. Different people have different things that they find particularly threatening. In my last few years 'on the track' I found several station supervisors to be less than happy at clipping and scotching points, walking into tunnels etc but that would not have been the case in the past when it was a more common part of the job and the supervisors back then were more railwaymen than customer service managers! Like all things there is nothing intimidating to the well trained competent and wary individual. Any railway worker who is not aware of any and all dangers on or about the railway really should not be in the job. Clipping and scotching points should not be intimidating to a station supervisor and if he was worried by the juice rails I would have to ask where his 'juice mat' was! Because he didn't have or use one I suspect he was not worried by the juice so his comment was pointless and unnecessary.
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Post by norbitonflyer on May 19, 2013 7:29:31 GMT
The Farringdon supervisor seemed to be a knowledgeable man but I didn't like his attitude on finding he had to go and clip and scotch the points. He appeared to be put out by having to go and do it. Perhaps he just didn't like having to work in such close proximity to the live rails. I thought his comment that it was 'only 630v' indicated that he found it pretty intimidating. Not unreasonable. Different people have different things that they find particularly threatening. Could he have been doing it to make a point to the audience? "This isn't a playground down here on the tracks. You have to know exactly what you're doing if you want to get back in one piece"
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